O'Really?

December 13, 2013

I’m Sorry I Haven’t A Podcast, now on BBC Radio 4

ISIHAC

I’m Sorry I Haven’t A Clue, also unavailable on Samsung Android devices.

I’m Sorry I Haven’t A Clue (ISIHAC) is a superbly funny comedy show broadcast by the BBC since 1972 and currently airing it’s sixtieth (yes 60th!) series. Unlike many other BBC programmes, ISIHAC is mysteriously unavailable as a podcast, which makes it difficult to listen to offline. Why is this? Professor Google doesn’t give a definitive answer and the BBC aren’t saying much about it either. So in the spirit of public broadcasting, this post poses the question, where’s the podcast? Currently there are a two theories floating around on the interwebs:

  • The podcast was destroyed by the lovely Samantha when she exceeded her bandwidth after … [insert smutty innuendo here]
  • There is no podcast because Random Entertainment Ltd, the company behind ISIHAC, make a tidy profit from ISIHAC merchandise (mostly CDs, audiobooks, Uxbridge English Dictionary etc). This makes enough money for Graeme Garden and Jon Naismith to have a lifetime supply of Swanee whistles and Kazoos funded by tax-payers money. Consequently, the BBC don’t have the rights to podcast it or something, probably…

If all you want is an ISIHAC MP3 of the broadcast that can be listened to offline at your leisure, then the lack of a podcast is frustrating. Of course, there various workarounds and hacks to roll your own using using get_iplayer, a digital recorderXBMC or similar but this will be a lot of unnecessary hassle for most listeners. None of this seems to be in the spirit of public  broadcasting and there’s a bigger (unanswered?) question about how the BBC decides what to podcast (and what not to).

So Jon Naismith, Graeme Garden and anyone at the BBC, if you’re reading this, please can ISIHAC be made available as an MP3 via a podcast? Much obliged.

[Update July 2015: the BBC iPlayer Radio app now supports downloads – the next best thing in the absence of podcasts. Hooray!]

May 8, 2012

BBC Connected Studio: Get involved in shaping digital content at the Beeb

BBC: The Olympic Broadcaster

Olympic broadcasting by the BBC from Quay House, Salford Quays, Manchester

The BBC is currently seeking external partners for collaborative innovation around BBC Online. This is happening through a series of events called BBC Connected Studio. It’s open to small, medium and micro businesses, individuals and digital agencies from the creative sector who want to work with the BBC developing new functions, features or formats for online audiences.

The first studio was held in Manchester last Friday focusing on Home Page, Search and Navigation (HPSN), a part of the Beeb that gets around 9 million (and up to 40 million) unique visitors every week from the UK alone. International visitors to this page get sent to bbc.com which is completely separate. Here are some rough notes on the event from a non-BBC outsiders perspective.

The basic format of the day goes something like this:

  • You are given a brief
  • There is an introduction from various people to kick things off
  • You have access to experts within the BBC, to pick their brains
  • There is time to work up your ideas on the day
  • Then you pitch an idea in ~2 minutes (like a much friendlier version of Dragons’ Den) to an assembled audience of about 80-ish people collected on the day.
  • There is time for questions and feedback
  • Successful pitches are notified after the event with the opportunity to build a functioning prototype and potential pilot project

For the event last Friday, the studio was kicked off by introductions from Ralph Rivera and Adrian Woolard, James Thornett and Clare Hudson.

During the day, there was expert advice available, formally at Speakers’ Corner and informally via conversation. This covered a wide range of topics including Simon Williams on audiences, Tim Fiennes on market analysis, Tom Broughton on homepage technology, Steve Gibbons on user experience and Phil Poole on personalisation.

Following this there was time to work on concepts and plan presentations, including a very useful audience feedback session with some real users of the BBC home page.

At the end of the day there were just over 20 open public pitches and 9 closed private pitches (those with sensitive intellectual property rights). I teamed up with Nick Drummond (of ATilla the AT-AT pet fame) to pitch an idea called Show Me More – providing links to BBC content directly on the home page (bbc.co.uk).

What worked well

The event went well, especially since this was the first one of the series. The audience feedback sessions and speakers corner were well organised and well attended. Whatever the outcome, this was a good opportunity to bid for work, see what goes on at the BBC and meet some of the people behind the BBC online. There was lots of advice available on how to work up a pitch, the audience was friendly and respectful. It was enlightening to watch other people’s presentations. The fifth floor of Quay house at MediaCityUK (pictured above) is an ideal venue for this kind of event with lots of different sized spaces for collaborating, thinking, eating, drinking and enjoying the fine views of Manchester from an elevated perspective.

How it could be improved

There was (inevitably?) a fair amount repetition in the 20 pitches as everyone was pitching to the same brief. It might be better next time to have fewer pitches and encourage people to work in slightly larger groups and reduce duplication. You can’t say very much in two minutes but perhaps that’s the idea…

As an aside, I’d love to see a public open API to BBC content, as far as I know there isn’t really one (yet). An open API would allow innovation by opening up content and services to organisations and businesses outside the BBC. Something along the lines of the Twitter API, Flickr API or Google Maps API would be great. An API seems to fit squarely with the needs of it’s constitution as a public service broadcaster. I asked about this at Speakers’ Corner and on twitter (speakers’ corner of the interwebs). There are security issues (as usual) but:

I think there might be a BBC SPARQL endpoint somewhere (there certainly used to be), which is an API of sorts but can’t find the exact location at the time of posting this.

All in all, BBC Connected Studio was informative and fun, thanks to Adrian Woolard and everyone at the BBC for your excellent hospitality. If you’re interested in taking part, it’s well worth joining in.

How to get involved

If you’d liked to get involved in BBC Connected, there are various events scheduled in 2012 on different products at the Beeb including: Weather & Travel, CBeebies, UX&D, CBBC, Sport, TV / iPlayer, News, Knowledge & Learning, Radio & Music. For more info subscribe to the BBC Internet blog, follow tweets @BBC_Connected or visit BBC Connected Studio.

May 31, 2010

Martin Rees on Science and the Citizen

This years Reith Lectures by Martin Rees are being broadcast on BBC Radio 4 during June. An important theme in the lectures this year is scientists relationship with society. Rees argues that science is part of our culture, crucial for dealing with pressing international issues like population growth, food security and energy development. He also argues that science is not just for scientists, everyone has have a feel for it, not just the specialists. Here is the blurb from the first lecture: “Science and the Citizen”

“In the first of this year’s Reith Lectures, entitled Scientific Horizons, Martin Rees, President of the Royal Society, Master of Trinity College and Astronomer Royal, explores the challenges facing science in the 21st century. We are increasingly turning to government and the media to explain the risks we face. But in the wake of public confusion over issues like climate change, the swine ‘flu vaccine and, more recently, Iceland’s volcanic ash cloud, Martin Rees calls on scientists to come forward and play a greater role in helping us understand the science that affects us all.”

Lectures are available below and via the iPlayer.

Lecture Topic File Play in Browser
1/4: The Scientific Citizen Who should we should trust to explain the risks we face? mp3
2/4: Surviving the Century Does science have the answers to help us save our planet? mp3
3/4: What We Will Never Know What are the limits of Scientific knowledge? mp3
4/4: The Runaway World How can countries stay scientifically competitive? mp3

[Creative Commons licensed picture of Martin Rees above by The Reith Lectures on Flickr, see also introductory clip on the lectures.]

February 11, 2009

Janet Street-Porter on the Internet Revolution

Janet Street-PortableI’m not much of a fan of Janet Street-Porter, neither am I a regular viewer of the BBC Money programme but right now they are screening an interesting series of three half-hour programmes on the impact of the internet on newspapers, books and television. It’s a familiar tale of the power-and-money struggle between old media and new media that, if the first programme is anything to go by, is worth watching. Here is the blurb from the first episode in the series, billed as Media Revolution: Stop Press?

Former national newspaper editor Janet Street-Porter investigates how papers are coping with falling circulation, advertising revenues and the growth of the internet, and asks if newspapers can survive in their current form. In her quest to discover what the future holds for her beloved newspapers, Janet visits newsrooms, printing plants and even spends a morning as a papergirl. With contributions from national editors, advertising gurus and a rare interview with media mogul Rupert Murdoch, Janet examines if papers can survive as new multimedia information giants.

There are some interesting parallels between the changes described in this programme, and scientific media, especially the scientific journal publishing racket.

Scientific Media Revolution?

The story of the current revolution in scientific and technical publishing is perhaps just as interesting (and more important) than the one being told on the money programme. Just think of it, why scientists publish, the emergence of peer review, how Robert Maxwell made his fortune from the Pergamon Press, the impact factor game, the birth of the Web (in a scientific laboratory), the growth of Google, the copyright wars, open-access publishing, social software, the rise and fall of publishing empires (and technology companies), the vanity journals, scientific blogs and wikis, software showdowns, how all this change affects producers and consumers of science and technology, both now and in the future. A juicy subject, worthy of broadcasting on any media (old or new). You would need a lot more than three half-hour programmes to cover this particular ongoing epic, so who is going to tell that story?

Anyway, the series is worth a look (if you haven’t already seen it) at least according to me  (others disagree see also no paper is the future). It is also available on iPlayer for up to a week after first broadcast – Thursday 5th, 12th and 19th February 2008 – for each episode in the UK only, unless you go through some kind of proxy.

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