July 1, 2013

New music? No thanks, we’re stuck in the fifties / sixties / seventies / eighties / nineties / noughties

John Peel comtemplating Drum & Bass by bhikku

John Peel comtemplating Drum & Bass via bhikku on Flickr.

If you’ve filled your boots with the wall-to-wall glastonbury festival coverage, you might find it curious that many people have little or no interest in new music, choosing instead to listen to the artists they liked in their formative years and loyally sticking with them for life. John Peel put it another way:

People do find it curious that a chap of my age* likes the things that I like but I do honestly feel that it’s one of those situations where everyone’s out of step except our John, because in any other area of human activity – theatre, literature or something like that, you’re not supposed to live eternally in the past, you know, you’re supposed to take an interest in what’s happening now and what’s going happening next and this really all that I do, it seems to be a perfectly normal and natural thing to do.

*John Peel was a spritely 50 years of age at the time of the interview where he said that in 1990 [1]. Isn’t it curious that, as Peel said, new music is largely considered to be the exclusive domain of “younger people”, while new theatre, new technology, new art, new science and new anything-else is not? Wonder why that is?


  1. Desert Island Discs Archive, Find a castaway (1940 – date)

May 10, 2012

The Lovelock Laboratory: A fantasy workplace in the West Country

έροτας : love, as described by an implicit heart curve (x²  + y²  − 1)³ − x² y³ = 0

An equation of love (x² + y² − 1)³ − x² y³ = 0

Former Mancunian James Lovelock runs the kind of a laboratory most scientists can only fantasise about working in as they grind through the humdrum bureaucracy of peer-review and never-ending grant applications. Lovelock is fortunate enough to run a completely independent, self-funded lab located in the beautiful West Country. There’s a fascinating interview with him on The Life Scientific with Jim Al-Khalili where he says lots of interesting things about elocution lessons, nuclear power, climate change and his grand theory of planet earth, Gaia [1,2,3]. When asked, he also made this interesting comment about being an indepedendent scientist [4]:

“It’s the most wonderful thing to do [being independent]. I keep on saying that scientists are just like artists if they are creative. If you were an artist, would you want to spend your life in an institute for fine art, quibbling with other academics about the different styles of painting? You’d rather be in your garage doing your masterpiece and selling a lot of art to some tourists to pay the way. That’s been my life as a scientist. ”

The audio file of the broadcast is available for download or just click on the play icon below:

So to become a truly independent scientist, you either need to win the lottery, nobel prize or possibly invent the modern equivalent of electron capture detection to bankroll running a lab from the bottom of your garden.

Well if nothing else, it’s an entertaining fantasy to while away dull moments in the real world…


  1. James Lovelock (2009). The Vanishing Face of Gaia: A Final Warning ISBN:1846141850, Penguin
  2. Andrew Watson (2009). Final warning from a sceptical prophet: James Lovelock fears that humanity faces widespread death and mass migration as Earth’s systems become further unbalanced by climate change Nature, 458 (7241), 970-971 DOI: 10.1038/458970a
  3. John Gribbin and Mary Gribbin (2009) He Knew He Was Right: The Irrepressible Life of James Lovelock and Gaia, ISBN:1846140161, Allen Lane
  4. Matthew Reisz (2012) Free-range thinkers: Independent scholars can confound, complement and challenge the work of their campus counterparts. Times Higher Education

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