Five years ago today, Colin Vearncombe passed away. While his birth name might not be familiar to many people, his stage name Black and the song Wonderful Life he wrote and performed are much more widely known. Wonderful life achieved commercial success across Europe in 1987.
The music video for Wonderful Life was shot in black and white around the English seaside resort of Southport, Merseyside and Wallasey on the Wirral
This haunting tune caught my again ear recently. The lyrics are particularly appropriate given the pandemic because it’s a sad but strangely comforting song written in a minor key. The refrain “no need to run and hide, it’s a wonderful, wonderful life” is optimistic and contrasts with the otherwise melancholy mood of the song.
Like many other listeners, I took the lyrics at face value and thought they were optimistic until I read a little about the circumstances that inspired the song:
“By the end of 1985 I had been in a couple of car crashes, my mother had a serious illness, I had been dropped by a record company, my first marriage went belly-up and I was homeless. Then I sat down and wrote this song called Wonderful Life. I was being sarcastic.”
Last month I attended a three day Training of Trainers (ToT) course at the University of Glasgow. Run as an interactive workshop, the course was designed to help leaders of Wikipedia training events to improve their delivery and organisation. Having participated and run several Wikipedia events in the past, such an Ada Lovelace event earlier this year, I was keen to learn how do things better. Here’s a report on the workshop, with some bonus extra curricular Glasgow goodies thrown in for good measure. Thanks again Sara Thomas and Bhavesh Patel for organising and delivering the course.
… work in partnership with organisations from the cultural and education sectors and beyond in order to unlock content, remove barriers to knowledge, develop new ways of engaging with the public and enable learners to benefit fully from the educational potential of the Wikimedia projects.
Most of the workshop participants (pictured top right) were from Gallery, Library, Archive and Museum (GLAM) institutions and a few educational and charitable ones too. Over the three days, here is what we covered:
The second day revisited design skills while touching on delivery skills and group work. This covered elocution, voice projection, body language and an examination the range of experiential activities that can be utilised in workshops. We also discussed aspects of Dave Meier’s accelerated learning (with feedback) and finished the day up with teams preparing for activities for day three.
Day three: The Show Must Go On
The final day of the course finished with the participants divided into four small teams. Each presented a on hour mini-session and had it critiqued by peers. This enabled us to learn from;
Our own mistakes
Other peoples mistakes
Copying / stealing other peoples good ideas, of which there were plenty. Thanks Abd, Daria, Doug, Eoin, Ian, Tara, Ian, Madeleine, Marianne, Saeeda, Tore, Sara and Bhav!
Overall, this was a really useful and memorable training course, one of the best training courses I’ve been on. The content, participants, location were all great and I felt empowered by taking the course as well as making useful contacts from a range of different organisations. It had a clearly defined purpose, well chosen activities and participants, with nothing irrelevant presented. There were tonnes of practical ideas to put into practice straight away which I look forward to doing in 2020. If you’d like to do the course, get in touch with Wikimedia UK.
While in Glasgow, it would be rude not to take advantage of all the bonus extra curricular activities the city has to offer:
Bonus 1: People Make Glasgow Hospitable 🏴
They say that People Make Glasgow, and Glaswegians are very hospitable. In between training sessions our host Sara showed us around the city, including the University cloisters (etc), Inn Deep on the banks of the River Kelvin and Curlers Rest in the West End. Sara’s impressive knowledge of Glasgow and its history is wikipedian in its depth and breadth.
Bonus 2: Glaswegian-Mancunian connections 🇬🇧
To me, Glasgow and Manchester feel like sibling cities separated at birth. If you’re English, Glasgow can feel like a Scottish Manchester. Perhaps Manchester feels like an English Glasgow to the Scots? Here is the case:
Second city syndrome 🥈: As second cities, both Glasgow and Manchester live in the shadow of their more famous capitals, Edinburgh and London. Both cities are the “belly and guts” of their respective nations. Glasgow had its docks, Manchester had its cotton. While both trades are long gone, they leave similar post-industrial legacies on the culture and infrastructure of their respective cities.
Shipping 🚢: Ships, shipping, docks, ports, quays and wharfs run deep in both cities. Glasgow built ships on the River Clyde while Manchester used ships for export and import of goods on its Ship Canal.
Football ⚽: Love it or loathe it, the fitbaw connection between Glasgow and Manchester is strong [1,2]. Scrolling through the list of Manchester United managers I count not just one, two or even three but FOUR Glaswegians. Matt Busby (Belshill is basically Glasgow), Tommy Docherty, Alex Ferguson and David Moyes. Is this a coincidence or catholicism? [1,2] Who knows, but my hypothesis is that being shouted at in a strong Glaswegian accent can make teams perform better (although it didn’t work very well for Moyes). I wonder how many Glasgow kisses Alex Ferguson gave his overpaid prima donna squad to keep them in line? Strangely, the fitbaw manager connection isn’t reciprocated: I can’t find any Mancunians in the list of Celtic managers or the list of Rangers managers
Bonus 3: King Tut’s Wah Wah Hut 🎸
Glasgow is home to the legendary King Tut’s Wah Wah Hut. This humble venue, relatively small with a capacity of only 300, has hosted an impressive range artists including Coldplay, Radiohead, Oasis, Blur, Pulp, Manic Street Preachers, you name it, they’ve played King Tut’s. Curious to find out what all the fuss was about, I arranged to meetup with an old Glaswegian friend for a drink at the venue. Assuming the gig that night would be sold out we asked at the bar who was playing. Turns out they had a handful of tickets left, so we spontaneously bought a pair to see Blanco White. Mixing Andalusian and Latin American influences, Blanco White play melancholic but beautiful tunes using a variety of instruments including the Charango [3]. Part of the reason King Tut’s is legendary is Glaswegian audiences are lively, and it was fun to see the band visibly moved by what Josh Edwards, the lead singer told us was: “easily the best reception we’ve had in months of touring”.
Bonus 4: Like a Brudge over troubled water 🌊
Looking for a walk, run or ride in Glasgow? There are some great routes around the city like the Glasgow River Clyde Bridges, with at least 21 bridges to cross the Clyde on. On an early morning run, I couldn’t find any of the “bridges”, but there were plenty of “brudges” and some fantastic scenery along the Clyde. Och aye!
O'Really? 
